Activities occur simultaneously in both spaces BWEPS and HRLA; and will be broadcast by livestream (we will share the link on social media).

Human Resources, BWEPS Originals and The Transnational Temple of Subcritical Studies are glad to present their 3rd season:

▬ A Dangerous Obsession ▬

A THRILLER OF PLASTIC MOMENTS

A transnational collective impulse of arts and literatures that takes place in Mexico City (Biquini Wax EPS) and Los Angeles (Human Resources).

During three weekends in May, writers and artists based here (USA) or based there (MX) will explore the marshy lands of NAFTAlgia in search of the mythical trade deficit.

Isauro Huizar continues his object based choreography with artworks, fragments and material feelings of BWEPS but this time he is going to switch the exhibition space with HR storage.

♥♥♥ Sunday May 20th ♥♥♥

We would present more interventions by artists at BWEPS shrunken house after our successful Kickstarter campaign to build a shrink ray. So far, we are showing artworks by Jorge Satorre, Torie Zalben, John Bartle and David Gilbert.

→ 02:00 pm ← PST

Netflix, Narcos, and Neoliberal Magical Realism a translation by Aaron Chilewich, a text by Arte y Trabajo BWEPS (with transductions by Israel Urmeer) – broadcasting from HRLA hole, Los Angeles.

→ 02:30 pm ← PST

Yo de verdad entiendo la belleza (I do truly understand beauty) by Noel René Cisneros (with transductions by Diana Cantarey, Gerardo Contreras and Biquini Waxs) – broadcasting from BWEPS hole, Mexico City.

→ 03:00 pm ← PST

Performance by Sebastian Hernandez.

→ 3:30 pm ← PST

bajo el árbol de navidad el déficit tiene forma de un tyco rc (under a xmas tree deficit looks like a tyco rc) by Yolanda Segura (with transductions by Diana Cantarey, Gerardo Contreras and Biquini Wats) – broadcasting from BWEPS hole, Mexico City.