Tag: solo show

MATTHEW LAX: A TIRED DOG IS A GOOD DOG, PART TWO

November 1 6:00 pm – November 17 6:00 pm

Opening Reception: Friday, November 1, 6:00–10:00 pm
Gallery hours: 12:00–5:00 pm; Friday – Sunday, and by appointment

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Dog tag poetry no. 4, 2023, engraved text on stainless steel disk, 1.6 x 1.1 inches, edition of 25 + 4 APs.

Thursday, November 14, 7:00 pm: Historian, writer and USC professor Andy Campbell joins Lax for a public conversation and the launch of Lax’s zine-essay THE HOUNDS OF LOVE HAVE GONE NONVERBAL, published by Inga Books (Chicago), which accompanies Lax’s exhibition A TIRED DOG IS A GOOD DOG, PART TWO, on view through November 17th.

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This is a dog show, it is a show about dogs; humans play like dogs and dogs play as humans. The kennel is the house, the whelping box a stage. 

Matthew Lax questions belonging, choice, and freedom in A TIRED DOG IS A GOOD DOG, PART TWO (TD2, 2024), the latest chapter in his long-term psychosexual investigation of canine and human behaviors initiated in 2020. A quadruplet himself, Lax’s intimate collaborators include the artist’s family, who breed Collies; professional dog trainers; and members of the Los Angeles and Paris pup play kink communities, in which humans role-play as dogs. 

In this two-channel film, Lax negotiates the interpersonal and interspecies dynamics inherent to pack-building, searching for individual and collective liberation by intertwining animal training with BDSM. Lax learns on all fours, attempting to initiate himself into the pup community while also ingratiating himself to a rescue dog who suffers from severe anxiety and PTSD.

Influenced by the dog writing of Donna Harraway, Cesar Milan, and others, TD2’s episodic structure is also guided by excerpts from the 1982 erotic novella Les Chiens by Hervé Guibert, as performed by the pups themselves. Translated to English for this film by Dana Lupo, Guibert’s tale of a sadistic dom who chains up two subs in dog masks, provides a historical touchpoint for the BDSM practices which inform contemporary puppy play. The shoot dissolves into a group processing session about consent. Interviews about pack dynamics accompany training sequences which unpack positive reinforcement as it relates to canine trauma responses and decision-making, while domestic scenes on the family farm and elsewhere, depict the bonds of love, care and mourning over the course of several animal life cycles, including that of the artist’s own dog. 

Probing home and husbandry, TD2 technically spans 4k video, original GoPro and 16mm footage alongside traditional and 3D animations. Installed within a large dog kennel, viewers must choose where to position themselves within a narrative that both disperses and reinforces a power game in which Lax plays participant, subject, student, director, and editor.

The exhibition is accompanied by other studies and drawings developed over the course of Lax’s research, including a motion-capture performance made with artist Caleb Craig, wherein Lax becomes Lassie, the rough collie “dog star” of mid-century American film and TV. 

An ongoing project, TD2 falls somewhere within performance and documentary, fantasy and real life. Through Lax’s instigations, various familial, sexual, and animal values are activated as the perspectives and needs of humans who “make” dogs, humans who train dogs, and humans who play as dogs commingle and inform a social ethic based on the importance of sharing and sharing alike.

On Thursday, November 14 at 7:00 pm, historian, writer and USC professor Andy Campbell will join Lax for a public conversation and the release of THE HOUNDS OF LOVE HAVE GONE NONVERBAL, the forthcoming zine-essay which accompanies TD2, published by Inga Books (Chicago).

Pup-only event to be announced soon.

Special thanks to Evelia Amores, Automata, Andy Campbell, Caleb Craig, Meghan Gordon, Kieran Hound, Mandi H, Patrick H, Kyle Belluci Johanson, Andre Keichian, Gelare Khoshgozaran, Dana Lupo, Jacob Lindgren, Sean Mankiw, PupStar Orion, Patrick J. Reed, and Christopher Henry Tuzon.

This project is supported in part by an Emergency Grant from the Foundation for Contemporary Arts.

Matthew Lax is an experimental filmmaker, artist and writer working between Los Angeles and New York. Lax’s films and video installations have been screened and exhibited at Viennale (Austria), Rencontres Internationales (Paris), table (Chicago), Los Angeles Contemporary Archive (LACA), and Winnipeg Underground Film Festival, among others. Lax’s curatorial projects include those held at Anthology Film Archives, Human Resources, and Fellows of Contemporary Art. Lax’s writing has appeared in publications including BOMB Magazine, MARCH Journal, Texte Zur Kunst, and Los Angeles Review of Books (LARB). Lax is a recipient of a 2024 Lightning Fund Grant from Los Angeles Contemporary Exhibitions (LACE) and the Andy Warhol Foundation.

Posted on by hrla

Harmonic Oscillation

M.A. Guevara

November 6th – 28th

Curated by Hugo Cervantes

Opening reception, November 6th 5pm-8pm
(Masks are required to enter HRLA)

HRLA is open by appointment and Friday-Sunday from 12-5pm.

Harmony is not static perfection. Harmony is a forging of many to achieve unison. It’s amalgamation is often brutal, antagonistic, and at it’s best transformative blurring the lines between where one ends and the other begins. For the artist M. A. Guevara, harmony like alchemy is a task of precision and repetition, where one harmonic blast makes way for the next one, identifying and refining the harmony’s rhythmic, visual, or sensual sequence. 

It is a process present in Guevara’s self-portraits, writings, videos, and paintings, where layering images and textures together crystalize into opaque images referencing personal histories to seismic hedonistic fantasies and critical critique. Guevara’s portraiture often bloat and swell the face incorporating mesoamerican motifs to overstressed facial features speaking to the dysmorphic culture of racial capitalism and its enduring legacy of pain. His interest in the limits of continuity and legibility emanate throughout his oeuvre drawn to the continuous patterns of hedonism and gratification, stoicism and sentimentality, and death and creation. 

For his debut solo exhibition Harmonic Oscillation at Human Resources-Los Angeles M. A. Guevara has forged a new set of works further illustrating his studies in texture and self-portraiture veering between personal history and staunch critique. Together the works constellate a consistent searching, dismantling, and fortification of oneself with a mission of moving beyond fixed cycles of life and death. In lieu M.A. Guevera orbits towards the bend and curve of cycles preferring their constant becoming as a point of departure in his work.

M. A. Guevara (b. 1997, Inland Empire, CA) is a Los Angeles-based artist whose work comprises the fields of portraiture: painting, writing, and film. He is the author of the short stories Peacock, Gusano, and Fatherless. His writings are held at institutions like LACA (Los Angeles Contemporary Archive.) Guevara has shown work with Dirty Looks, Coaxial, Tom of Finland Foundation, and Gamma Galeria Guadalajara. He is a recipient of Human Resources-LA’s 2020 time, money, space residency.